“”Gold Medal First Prize” pipes made in”Italy“”

Photographed and written by

John M. Young

Why do I keep doing this to myself? Here we have another wonderfully shaped pipe made with; quality briar, decent grain pattern that is well constructed and has a very pretty and unique stem. “So, what is the problem?”, you ask. I can find next to nothing on the maker of this delightful darling.

Let me show you some photos taken of the Gold Medal Lovat before any work was done to it.

The first places searched were pipedia.org and pipephil.eu. Neither of these sites had anything on the Gold Medal. Next was a Google search, it turned-up a reference to a very similar pipe. The stampings appear to be very similar to the pipe I have in hand, though the stem is quite different. I realize that the stem on the Gold Medal that I have could be a replacement but, I would prefer to think it original.

Gold Medal First Prize Century Imported Briar Tobacco Estate Pipe | #4573590166 (worthpoint.com)

I can safely say that whoever made the Gold Medal Lovat, made more than one of them. I remembered seeing a Peterson pipe stamped with Gold Block. In researching that memory, I came across Mark Irwin’s Peterson Pipe Notes blog post about the Gold Block Petersons. I will link the blog here, https://petersonpipenotes.org/tag/gold-block/, for those who are interested. In a nutshell, Gold Block was a pipe tobacco. “To qualify for the 1987 offer, one had to send them £9.95 and proof of purchase for three tins of their Gold Block tobacco.” (https://petersonpipenotes.org/tag/gold-block/). The same thing that American tobacco companies were doing with the coupon pipes like; Broadcaster, Van Roy, Silver MacDuff, Bruce Peters, Dr Grabow Westbrook, etc… At the end of this blog, if it ever does end, I will add links to other coupon pipes which I have restored.

Perhaps this Gold Medal Lovat was a promotional pipe affiliated with a tobacco brand. I started searching Gold Medal as a pipe tobacco rather than a pipe. Again a paltry amount of information but a couple of images did come up.

(Gold Medal Tobacco Tin • Antique Advertising)

(Gold Medal Tobacco Tin • Antique Advertising)

They are asking well over $200 for those old tobacco tins. I am apparently in the wrong business. Now there was information on Cameron and Cameron.

(https://rocketwerks.tumblr.com/post/185175224571/cameron-cameron-aka-kinney-tobacco-co-cameron)

(https://antiqueadvertisingexpert.com/project/cameron-cameron-co-richmond-va-finest-grade-tobacco-can-circa-1920/)

“By 1870 the tobacco-manufacturing companies owned by Alexander Cameron, William Cameron, and their younger brother, George Cameron, were among the largest in Richmond and Petersburg, and by continuing to expand their business throughout the remainder of the century, they made it one of the largest such enterprises operated by Americans at that time. They sold tobacco around much of the world through agents in Australia, China, India, Japan, South Africa, Europe, and North America. Although each company operated independently, they all worked together buying, manufacturing, and selling all forms of tobacco products, including cigarettes, cigars, plug tobacco, and smoking tobacco. In 1886 William Cameron retired, leaving the management of the far-flung business in the hands of Alexander Cameron and George Cameron, who purchased another Richmond firm within two years to create A. and G. Cameron and Sizer, later known as Cameron and Cameron.

By early in the 1890s the Camerons’ factories in Richmond and Petersburg alone employed hundreds of workers and could produce as much as four million pounds of tobacco each year. Alexander Cameron and his partners began to face increasing competition from the American Tobacco Company, created in 1890, which continually undercut the prices of independent manufacturers. Cameron attempted to compete but ultimately decided to retire from the business, and by 1904 he had sold the Cameron factories to the new British-American Tobacco Company.” (https://www.lva.virginia.gov/public/dvb/bio.asp?b=Cameron_Alexander)

British-American Tobacco (BAT) is one of the world’s largest tobacco companies today. Their business is mainly selling cigarettes all over the world to people who want them and being sued all over the world by countries who want to share in the profits of BAT by doing none of the work. The sale of the Cameron tobacco business to BAT was done far earlier than this pipe. To me, it has the look of a much more recent vintage than a turn of the century specimen.

Well jumping down that rabbit hole, though entertaining and educational, delivered little information on the Gold Medal Lovat. How about turning to the stem and see where that may lead. The stem is some strange rubber that is soluble in 95% ethyl alcohol. More on that later. It has no stamps but does have a single brass dot on the upper surface. I searched through pipephil.eu for similar stems. I looked back at the stampings. SYNCHRO was an obvious clue. The Synchro-Stem was a Kaywoodie patent from 1932.

(Document: Kaywoodie’s SynchroStem patent — Pipes : Logos & Markings – (pipephil.eu))

The aluminum mortise and tenon are similar to a Kaywoodie synchro-Stem but the Gold Medal has twice as long a set of threads as a Kaywoodie. Another difference is the draft hole in the aluminum tenon extension. Kaywoodie draft holes are at an angle which makes cleaning with a pipe cleaner easier. The Gold Medal stem has a draft hole which is drilled perpendicular to the airway. I am sure this is easier to manufacture but makes cleaning more difficult. More on this later.

On the opposite side of the shank from the SYNCHRO stamp is a country of manufacture (COM) ITALY. The only Italian made Kaywoodies were very recent pipes, “The S.M. Frank Co. now owns the Kaywoodie name, but no longer makes pipes. However, Italian made “drugstore” grade Kaywoodies are still being marketed in this country. These Italian-made Kaywoodies have a “whiteoutline” cloverleaf logo.” (Collector’s Guide to Kaywoodie Pipes – Pipedia). Bah, another dead end.

Let’s see what can be found from the CENTURY OLD stamp. A search of CENTURY OLD leads to the following: “It’s possible this pipe was made by Lorenzo, who marked some of their pipes as Century Old Briar, although the script here is different. This pipe has a similar rustication to the Lloyds Canadian example seen below” (Century Old – Pipedia).

Comparing the above from pipedia.org to the Gold Medal the font is more italic above and block lettered below.

According to pipedia.org Lorenzo has a line of pipes called Lloyds. “Lloyd’s was strictly a Lorenzo second.”(Lorenzo – Pipedia)

Lloyds Examples and details, courtesy Doug Valitchka

”

(Lorenzo – Pipedia)

As you can see the stamping here reads CENTURY OLD over BRIAR ITALY. Again far different than the Gold Medal but the Italy connection is present and if you are familiar with Lorenzo pipes there was a good deal of orange stained briar produced by Lorenzo. Orange is the color of the Gold Medal stem. Yeah, I am reaching for a link…

How about that nifty brass dot? Single brass dots are a bit more rare and may provide some insight. Savinelli’s Punto Oro line uses a single brass dot but let’s be honest,

Savinelli would never stoop so low as to have an aluminum mortise and tenon. I could not find any other Italian makers who had used a single brass dot as a stem logo. The last thing I thought about was the four pointed star on the stem of the worthpoint.com Gold Medal. Guess what, there is one maker who uses a four point star – Five Stars.

Again, not helpful as Five Stars is a French pipe maker. A whole lot of nothing when it comes to the provenance of this Gold Medal Lovat. I am really wanting to go back to restoring Yello-Boles and their well documented histories.

The Restoration

As usual I began with a clean denim work surface.

This restoration began with the stem. It is an amazing stem. It has the tooth feel of vulcanite but it softens with 95% ethyl alcohol like some plastics. The stem with alcohol on my finger felt slick initially then became sticky. Upon the alcohol evaporating the stem returned to its normal feel. I took this to mean that cleaning it with alcohol was not the best option. I ran a few pipe cleaners dipped in alcohol through the stem before making this discovery. Afterwards, I used Castile Soap and hot water to scrub the airway of the stem.

The next step was the reaming of the tobacco chamber. The cake built up in the chamber was very hard and resisted the PipNet with the #2 blades. I used the General scraper to scrape the majority of the cake and finished with the PipNet. The chamber was then sanded with 220 sandpaper wrapped around a wooden dowel. This was followed by sanding with 320 sandpaper wrapped around a Sharpie marker.

Below is a photo of the chamber after sanding and wiped with an alcohol wetted make-up pad. No evidence of heat damage was observed in the chamber.

The rim had lava deposits as seen in the below photo.

These were removed by wetting the rim with saliva and scraping the rim using a sharp pocket knife.

Next came the cleaning of the airway inside the shank. I poured 4-5 ml of 95% ethyl alcohol into the tobacco chamber and allowed the alcohol to flow into the shank. I then used a nylon shank brush to scrub the airway with the alcohol. The alcohol was then poured from the airway into a medicine cup. I also used cotton swab and folded bristle pipe cleaners in the scrubbing. The aluminum mortise did not allow for effective scraping of the airway with a dental scraper thus making the scrubbing process longer and more difficult. I repeated the alcohol/nylon brush scrub followed by the pipe cleaners/cotton swabs numerous times.

Eventually I was tired of the airway scrubbing and needed to give my cramping hands a break. I took the stummel to the sink for a scrub of the exterior. This was done with a medium stiff toothbrush and undiluted Murphy Oil Soap. The soap was rinsed with warm water and then dried with a cotton hand towel. While I was at the sink I scrubbed the airway with a nylon brush and some Dawn dish soap. This did remove some tar from the airway , based on the color of the lather.

Back at the workbench I continued with the airway scrubbing. The color of the alcohol was getting lighter and the cotton swabs less discolored from the tar residue. You can also see from the below photo that a good deal of the pipe’s finish was removed by the Murphy’s Oil Soap scrub.

Eventually the stummel was rid of the tar in the airway. A light sanding and wipings with 95% ethyl alcohol removed the remaining finish and revealed the spots that required either old fill removal or spots to fill. Old fill material was picked out using a fly tying bodkin. The depressions received a small drop of brown cyanoacrylate (CA, super glue) applied with the bodkin then a pinch of briar dust was pressed into the wet CA. The below photos show the CA/briar dust fills.

The excess briar dust was brushed away and then topped with another small dab of brown CA. They were then filed using a flat needle file and smoothed with a 400 grit sanding sponge. Below you can see photos of the dark appearing sanded fills.

The stamps were taped with painters tape to protect them from the sanding that was to come. The pipe was sanded with a sequence of sanding sponges from 600-3500 grits. Between each sponge the stummel was wiped with an alcohol wetted make-up pad. Due to the small size and close quarters of this stem, I chose to use the buffer with red buffing compound rather than sanding.

After the sanding the stem and stummel were worked with the 4000-12000 micro-mesh pads. Between each pad the stummel was wiped with an alcohol moistened make-up pad. The stem received a small drop of Obsidian Oil rubbed in by fingertip and wiped with a paper towel.

The pipe was then liberally coated with Before and After Restoration Balm and allowed to sit for 30 minutes. After 30 minutes the excess Restoration Balm was wiped away using an inside out athletic sock.

A quick trip to the buffer for several coats of carnauba wax finished this Lovat up quite nicely.

Overall I think this Gold Medal First Prize Lovat restored very well. In hindsight, I think it would have looked very interesting with a contrast stain of black and maybe a top coat of orange to match with the stem colors. The existing stain looks good with the stem but I just wonder how a contrast stained stummel would look. The dimensions of the lovat are as follows::

Length: 5.33 in./ 135.38 mm.

Weight: 1.11 oz./ 31.50 g.

Bowl Height: 1.72 in./ 43.69 mm.

Chamber Depth: 1.49 in./ 37.85 mm.

Chamber Diameter: 0.76 in./ 19.30 mm.

Outside Diameter: 1.34 in./ 34.04 mm.

I do hope that you have found something here useful to your own pipe care, maintenance or restorations. If you like this sort of thing, please click the like and subscribe buttons. Thank you for reading the ramblings of an old pipe lover.

Below are some photos of the finished Gold Medal First Prize Lovat