Photographed and written by

John M. Young

When naming this restoration I nearly called it a “A No Name Rusticated Pot Pipe”.  I did not want to be considered a drug paraphernalia marketeer thus, the word “Pot” was eliminated from the title.  The complete lack of any stampings makes me question the origins of this pipe.  More on that in the “Background” section to the .  The pipe has a very nice shape and size to it and though I prefer a tapered stem this saddle fishtail is a nice touch.  Below are some photographs taken of the pipe before I started work on it.   

Background

I know this is not a Custom-Built pipe but it has the characteristics of a Custom-built and is most likely a copied version of one  Now Custom-Belts were first made in the mid 1930 by Tracy mMincer.  They gained renown and popularity and this popularity most likely created a market for imitators.When I was a kid most knock-offs, as we called them, came from Taiwan and Japan  Over the years those two countries greatly improved their quality control and craftsmanship and today are known to produce high quality products. After World War Two (WWII) There was a flood of cheaper made pipes entering the United States.  The Tariff Act of 1930 had made an attempt to force countries to mark or stamp the country of origin on the products but this was not always as successful or regulated but usually it was.  Enforcement after the early 1950s was much better and in 1963 new regulations specifically addressed pipes. (https://www.usitc.gov/publications/tariff_affairs/pub103s.pdf,  p.533) Thus we see ENGLAND, FRANCE or ITALY stamped on lower quality or “basket pipes”.  If a pipe has no Country of Manufacture (COM) stamp, that is an indicator that it was made in the USA.

During WWII the supply of briar wood was greatly limited.  Various alternatives like Mountain Laurel, mainly from North Carolina, and Mission Briar, from California, were used.  Neither wood was successfully adopted by pipe smokers.  After the war the supply of briar was again accessible and most makers stamped their pipes stressing that they were indeed made from genuine briar.  Thus we see stamps like IMPORTED BRIAR, REAL BRIAR, GENUINE BRIAR etc…  What does this have to do with the pipe in hand?  Since there is no COM I assume it was made in the US.  Due to the lack of  stamping about the origin of the wood, I questioned whether it is made of briar.  Jumping ahead, after the restoration I was able to get a good look at the wood along the smooth surfaces and it is definitely briar.  No other wood has the grain and bird’s eyes like briar.  The heavily carved surface of this pipe and the large areas of fills, that you can see in the photos during the restoration, led me to hypothesize that this was a pipe made after Mincer’s Custom-Bolts had become popular.  The briar is of lower quality requiring the heavy use of rusticated carving and fill/putty, again indicating war years.  Could this have been a second of Custom-Bilt?  Possible but I could not find any examples of a real Custom-Bilt pipe with a pronounced fish tail stem in William E. Unger’s book, Individual as a Thumbprint The Custom-Bilt Story.  I also couldn’t recall any mention of “seconds” from the book. 

The Restoration

I normally photograph a pipe on a cleaned denim patch at the beginning of a restoration.  I did that this time also but completely failed to get a decent focus.  Well, I can’t go back so here is another in the long list of documented mistakes.

This pipe did not need a reaming as the tobacco chamber had been recently done.  It did need a date with a scrub brush and some Murphy Oil Soap.  The soap was rinsed with warm water and the stummel dried with a cotton hand towel.

The pipe kind of looked cleaner but there were strange dark patches present all over the stummel.  I used make-up pads wetted with 95% ethyl alcohol to wipe the exterior of the stummel.  The pads were quickly stained with stain.

This got rid of some of the dark patches but not all.  The below two photos show the patches.  They appeared to be made of a fill material applied after the carvings then stained.  The stain seemed to have penetrated easily and produced the dark patches.  

At the front of the pipe the patch had a hole in it.  This looked like the patch here was shoddily applied to cover a larger hole or pit in the briar.

I dipped a brass brush into the alcohol and worked the patch area in an attempt to get rid of the fills.  The patches were again wiped with an alcohol wetted make-up pad.

This helped but did not remove the filler completely.  I figured a longer soaking in ethyl alcohol may be required to soften the old filler.

The tobacco chamber looked good.  I lightly sanded the interior with 220 sandpaper and inspected the chamber for any heat damage.

Everything in the chamber looked fine with no sign of damage.

No damage here either.

I checked the cleanliness of the shank.It was far from the level of clean that the tobacco chamber was. I ran the Kleen-Reem shank drill through the draft hole, did some scraping and swabbed the airway with cotton swabs.  It was quite tar filled.

The shank would also benefit from an extended soaking in ethyl alcohol.

The jar of 95% ethyl alcohol was topped off with fresh alcohol and the pipe started it’s bath.    

The stummel was in the bath overnight.  Whe it emerged the fills were much softer.

I worked them again with a brass brush and they just disappeared leaving slight depressions.

These depressions were nothing that I felt obligated to refill.

Well, the obligation to fill did arrive when I looked at the front hole.  This one would need to be refilled.

The airway of the shank was far easier to clean after the alcohol bath as well.

The hole in the front of the stummel was filled with brown cyanoacrylate (CA, super glue) applied with a fly tying bodkin.  While the CA was wet briar dust was pressed into the wet CA.  This was allowed to cure Then was roughed up with 220 sandpaper.

The stem was  lightly sanded with 320 and 400 sanding sponges to remove the worst of the oxidation.

The stem was then vigorously rubbed with Soft Scrub cleanser on a make-up pad.  This was done mainly to assess the level of oxidation.

The stem was severely oxidized enough that I thought a bath in Before and After Extra Strength Deoxidizer (deox) was in order.  A pipe cleaner was inserted into the tenon to act as a hanger.  The stem was in deox for 4 hours.

Upon removal from deox, I let the stem drip excess solution back into the jar for a few minutes.

I used a coarse shop rag to energetically rub the remaining solution and some of the oxidized rubber from the stem.

Below you can see some of the oxidation which came off on the shop rag.

I wanted to sand the stem in place on the stummel to avoid rounding the joint where the two pieces meet.  The stem was sanded with a series of sanding sponges frome 320-3500 grit.  The smooth sections of the stummel were simultaneously sanded.  The stummel was wiped with a make-up pad moistened with alcohol between sponges while the stem was rubbed with mineral oil and wiped with a dry paper towel between sponges.

Normally I would have switched over to micro-mesh pads for the fine sanding but I wanted to try buffing the stem and stummel with rouge compound on the buffing wheel.  That worked well and the finnish seemed adequate.  The buffing compound was wiped from the pipe with make-up pads dipped in ethyl alcohol.  The stummel then received a coating of Before and After Restoration Balm.  The balm was allowed to sit and do it’s magic for 20 minutes.

The remaining Restoration Balm was wiped from the stummel using an inside out athletic sock.

I decided to use Renaissance Micro-Crystalline Wax as the finish for the stummel.  I applied this with a baby toothbrush working it into the carvings.  The product was allowed to dry for an hour then was buffed with a clean buffing wheel.  The stem received several coats of carnauba wax also at the buffer.

The final step was a hand buffing with a microfiber polishing cloth.

I am quite pleased with how this No Name Rusticated Pot turned out.  The briar is very lightweight and the shape feels amazingly good in hand.  The stem polished up nicely with little indication of the previous oxidation.  Saddle stems are not my favorite stem shape to restore as they are difficult to sand and polish.  The area where the old fills were spread on so thick are noticeable under scrutiny but with a casual glance they appear to be just part of the rustication.  I know they were there to cover for poor quality briar but the issues with quality are cosmetic, the structural integrity of the pipe is quite sound and I am sure this pipe will continue to serve me for many years.  This gives me a “Custon-Bilt” like pipe for a fraction of the current market price of such a pipe.  The Dimensions of the No Name Rusticated Pot are:

Length:  6.08 in./ 154.32 mm.

• Weight:  1.67 oz./ 437.35 g.
• Bowl Height:  1.69 in./  4.93 mm.
• Chamber Depth:  1.36  in./ 34.54 mm.
• Chamber Diameter:  0.85 in./ 21.59 mm. (Conically bored diameter is at the top)
• Outside Diameter:  1.75 in./ 44.45 mm.

I do hope that you have found something here useful to your own pipe care, maintenance or restorations.  If you like this sort of thing, please click the like and subscribe buttons.  Thank you for reading the ramblings of an old pipe lover.

Below are some photos of the completed No Name Rusticated Pot.